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The Book of Other People
edited and with an introduction by Zadie Smith
(paperback, Penguin, 2008)
(hardcover, Hamish Hamilton Ltd., 2007)
A stellar host of writers explore the cornerstone of fiction writing: character
The Book of Other People is about character. Twenty-five or so outstanding writers have been asked by Zadie Smith to make up a fictional character. By any measure, creating character is at the heart of the fictional enterprise, and this book concentrates on writers who share a talent for making something recognizably human out of words (and, in the case of the graphic novelists, pictures). But the purpose of the book is variety: straight “realism”—if such a thing exists—is not the point. There are as many ways to create character as there are writers, and this anthology features a rich assortment of exceptional examples.
The writers featured in The Book of Other People include:
Aleksandar Hemon
Nick Hornby
Hari Kunzru
Toby Litt
David Mitchell
George Saunders
Colm Tóibín
Chris Ware, and more |
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On Beauty
(paperback, Penguin Books reprint edition, 2006)
(hardcover, The Penguin Press HC, 2005)
Howard Belsey, a Rembrandt scholar who doesn't
like Rembrandt, is an Englishman abroad and a long-suffering professor
at Wellington, a liberal New England arts college. He has been married
for thirty years to Kiki, an American woman who no longer resembles the
sexy activist she once was. Their three children passionately pursue
their own paths: Levi quests after authentic blackness, Zora believes
that intellectuals can redeem everybody, and Jerome struggles to be a
believer in a family of strict atheists. Faced with the oppressive enthusiasms
of his children, Howard feels that the first two acts of his life are
over and he has no clear plans for the finale. Or the encore.
Then Jerome, Howard's older son, falls for Victoria, the stunning daughter
of the right-wing icon Monty Kipps, and the two families find themselves
thrown together in a beautiful corner of America, enacting a cultural
and personal war against the background of real wars that they barely
register. An infidelity, a death, and a legacy set in motion a chain
of events that sees all parties forced to examine the unarticulated assumptions
which underpin their lives. How do you choose the work on which to spend
your life? Why do you love the people you love? Do you really believe
what you claim to? And what is the beautiful thing, and how far will
you go to get it?
Set on both sides of the Atlantic, Zadie Smith's third novel is a brilliant
analysis of family life, the institution of marriage, intersections of
the personal and political, and an honest look at people's deceptions.
It is also, as you might expect, very funny indeed.
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White
Teeth
(Random House, 2000)
On
New Year's morning, 1975, Archie Jones sits in his car on a London road
and waits for the exhaust fumes to fill his Cavalier Musketeer station
wagon. Archie--working-class, ordinary, a failed marriage under his
belt--is calling it quits, the deciding factor being the flip of a
20-pence coin. When the owner of a nearby halal butcher shop (annoyed that
Archie's car is blocking his delivery area) comes out and bangs on the
window, he gives Archie another chance at life and sets in motion this
richly imagined, uproariously funny novel.
Epic and intimate, hilarious and poignant, White
Teeth is the story of two North London families--one headed by Archie,
the other by Archie's best friend, a Muslim Bengali named Samad Iqbal.
Pals since they served together in World War II, Archie and Samad are a
decidedly unlikely pair. Plodding Archie is typical in every way until he
marries Clara, a beautiful, toothless Jamaican woman half his age, and the
couple have a daughter named Irie (the Jamaican word for "no
problem"). Samad--devoutly Muslim, hopelessly
"foreign"--weds the feisty and always suspicious Alsana in a
prearranged union. They have twin sons named Millat and Magid, one a
pot-smoking punk-cum-militant Muslim and the other an insufferable science
nerd. The riotous and tortured histories of the Joneses and the Iqbals are
fundamentally intertwined, capturing an empire's worth of cultural
identity, history, and hope.
Zadie Smith's dazzling first novel plays out its bounding, vibrant course
in a Jamaican hair salon in North London, an Indian restaurant in
Leicester Square, an Irish poolroom turned immigrant café, a liberal
public school, a sleek science institute. A winning debut in every
respect, White Teeth marks the arrival of a wondrously talented writer who
takes on the big themes--faith, race, gender, history, and culture--and
triumphs.
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