Last Climb
(National Geographic Society, 1999)

The question of whether George Mallory and Andrew Irvine reached the summit of Everest in June 1924, thirty years before Edmund Hillary remains one of the great mysteries of twentieth century exploration. That mystery was partially solved on May 3, 1999 when the body of George Mallory was found on a rocky ledge about 2,000 feet below the summit. But was he on the way up, or down, when he died in a fall? David Breashears and Audrey Salkeld have culled remarkably evocative archival photography from Mallory's expeditions to Everest and, by virtue of their long familiarity with Everest, bring a uniquely insightful perspective to this dramatic story. (continues)

The world's tallest mountain, lying on the border between Tibet and Nepal-though it had been identified since 1856 and its summit was distantly visible as a small bump on the Himalayan horizon from the Indian hill station of Darjeeling-had remained remote because both countries were at the time strictly out of bounds to travelers. Having negotiated permission to enter Tibet, three expeditions in the 1920s (1921, 1922, 1924) succeeded in surveying and mapping territory unknown to outsiders, and climbing to heights above 28,000 feet-and just maybe all the way to the top of Mount Everest. All in all, while it was a magnificent achievement, these first three ventures cost the lives of at least twelve men. These brave explorers brought home the magnificent images of Himalayan mountains and a medieval way of life on the roof of the world, which are dramatically showcased in this book. AUTHOR BIO: David Breashears is a world-class filmmaker and mountaineer, who has worked on such feature films as Seven Years in Tibet and the award-winning documentary Red Flag over Tibet. In 1983 he transmitted the first live pictures from the summit of Mount Everest. Breashears is the recipient of four Emmy awards for his achievements in cinematography. In 1987 he directed and produced the documentary film, "Everest: The Mystery of Mallory and Irvine." In 1996, he co-directed, photographed, and co-produced the acclaimed IMAX large-format film Everest, and contributed his still photographs from that climb, as well as a foreword, to the best-selling National Geographic book Everest: Mountain Without Mercy. David is largely credited with spearheading rescue efforts during the harrowing tragedy of May 10, 1996. The first American to summit Mount Everest twice, he has made four successful ascents of the world's highest mountain. David Breashears is the author of High Exposure: An Enduring Passion for Everest and Unforgiving Places, recently published by Simon & Schuster. Audrey Salkeld maintains one of the most comprehensive private archives on mountaineering. She has written the scripts for a number of films including David Breashears' The Mystery of Mallory and Irvine, for which she took part in Tom Holzel's 1986 expedition and climbed to the North Col of Everest. With Holzel she is the author of The Mystery of Mallory and Irvine. She is also the author of the highly acclaimed book on her Himalayan travels in Mustang and Tibet, People in High Places.

High Exposure
(Simon & Schuster, 1999)

For generations of resolute adventurers, from George Mallory to Sir Edmund Hillary, Tenzing Norgay to Jon Krakauer, Mount Everest and the world's greatest peaks have provided the ultimate testing ground. As the world's fascination with mountaineering reaches a fever pitch, the question remains: Why climb? In High Exposure, elite mountaineer and acclaimed filmmaker David Breashears answers with an intimate and captivating look at his life. Breashears's passion for climbing began on the cliffs of Boulder, Colorado — and nearly ended on the south side of Everest in 1996.

From childhood, Breashears felt irresistibly drawn to the Himalayas' promise of adventure and unforgiving demands on body, mind, and soul. Readers learn of his turbulent early years and his training on the rock before he was dubbed the Kloberdanz Kid. While most American teens were reveling in the recklessness of the seventies, Breashears indulged in a potent mixture of discipline, passion, and drive to pioneer the improbable Perilous Journey in Colorado, ascend Half Dome in Yosemite, and attempt Everest's unclimbed Kangshung Face in Tibet. Along the way, the intense young man apprenticed on film shoots and gradually took to the camera himself, relishing its physical and artistic demands. He was soon consumed with capturing on film the unsurpassed beauty and profound human experience he witnessed as a climber. That he would someday film at the top of the world with a forty-two-pound camera during the Everest IMAX Filming Expedition surprised no one who knew him: He was always looking to the next challenge, his eyes on the highest horizons.

For David Breashears, climbing has never been a question of bravery: Rather, it is the pursuit of excellence and a quest for self-knowledge. Danger comes, he argues, when ambition blinds reason. The stories this world-class climber and great adventurer tells will surprise you. From discussions of egotism and competitiveness on the heights -- despite the brotherhood of the rope -- to a frank description of mistakes made during the 1996 Everest tragedy, this personal history goes beyond Mallory's famous quip "Because it's there" to find meaning and hope at the top of the world.

Everest: Mountain Without Mercy
(National Geographic Society, 1997)
Text by Broughton Coburn
Photos and Afterward by David Breashears

Broughton Coburn, a long-time resident of Nepal and a friend of David Breashears, was commissioned to write a book about the filmmaking expedition, the tragedy on Everest, and the mountain itself. He has more than succeeded with Everest: Mountain Without Mercy, a taut recounting of disaster and triumph at 29,000 feet. But this book is about more than just mountain climbing; Coburn has also included fascinating information about Nepal, Buddhism, and the Sherpa culture, as well as the history of climbing Everest. He covers everything from the causes of altitude sickness to Nepal's increasing problems with deforestation, and through it all he weaves the story of that day in May when Everest again proved unpredictable--and deadly. For a white-knuckle climb to the top of the world's highest mountain, complete with stunning photographs, you can't do better than Everest: Mountain Without Mercy.

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