The Real Thing
(paperback, Bison Books, December 1, 2008)

You may already know that Belgium is the most boring country on planet Earth, but do you know why? Or what makes the Mark 44, Model O Lazy Dog Missile Cluster, the sexiest piece of military hardware on wheels? Or how LSD edged out all contenders as the Platonic Ideal of illicit drugs?

From cities to sitcoms, from scotch to soda, from English monarchs to French movies, The Real Thing is a compendium of the quintessential, providing definitive answers to some of the most compelling questions of our time: What confection out-cholesterols the competition? Why is The Country Club the country club? Which Charlie Chan proved the least scrutable?

Author Kurt Andersen’s pithy pronouncements sparkle with wit, sophistication, and a healthy dose of skeptical good humor as he strips world culture of accumulated hype and accepted wisdom, laying bare the sine qua nons and the ne plus ultras in a sassy series of satirical essays that give credit where credit is due while simultaneously foreclosing on the bogus, the ersatz, the would-be, and the has-been.The Real Thing is the real thing. These days, that’s really something.

Heyday
A Novel
(Random House, 2007)

Heyday is a brilliantly imagined, wildly entertaining tale of America’s boisterous coming of age–a sweeping panorama of madcap rebellion and overnight fortunes, palaces and brothels, murder and revenge–as well as the story of a handful of unforgettable characters discovering the nature of freedom, loyalty, friendship, and true love.

In the middle of the nineteenth century, modern life is being born: the mind-boggling marvels of photography, the telegraph, and railroads; a flood of show business spectacles and newspapers; rampant sex and drugs and drink (and moral crusades against all three); Wall Street awash with money; and giddy utopian visions everywhere. Then, during a single amazing month at the beginning of 1848, history lurches: America wins its war of manifest destiny against Mexico, gold is discovered in northern California, and revolutions sweep across Europe–sending one eager English gentleman off on an epic transatlantic adventure. . . .

Amid the tumult, aristocratic Benjamin Knowles impulsively abandons the Old World to reinvent himself in New York, where he finds himself embraced by three restless young Americans: Timothy Skaggs, muckraking journalist, daguerreotypist, pleasure-seeker, stargazer; the fireman Duff Lucking, a sweet but dangerously damaged veteran of the Mexican War; and Duff’s dazzling sister Polly Lucking, a strong-minded, free thinking actress (and discreet part-time prostitute) with whom Ben falls hopelessly in love.

Beckoned by the frontier, new beginnings, and the prospects of the California Gold Rush, all four set out on a transcontinental race west–relentlessly tracked, unbeknownst to them, by a cold-blooded killer bent on revenge. (continues)

A fresh, impeccable portrait of an era startlingly reminiscent of our own times, Heyday is by turns tragic and funny and sublime, filled with bona fide heroes and lost souls, visionaries (Walt Whitman, Charles Darwin, Alexis de Tocqueville) and monsters, expanding horizons and narrow escapes. It is also an affecting story of four people passionately chasing their American dreams at a time when America herself was still being dreamed up–an enthralling, old-fashioned yarn interwoven with a bracingly modern novel of ideas.

Spy
The Funny Years
by Graydon Carter, Geirge Kalogerakis, Kurt Andersen
(Miramax, 2006)

Just in time for the 20th anniversary of Spy's creation comes the definitive anthology, inside story, and scrapbook. Spy: The Funny Years will remind the magazine's million readers why they loved and depended on Spy, and bring to a new generation the jewels of its reporting and writing, photography, illustration, design, and world-class mischief-making. It will demonstrate Spy's singular niche in American magazine and cultural history. But mainly it is intended to be enjoyed on its own: one beautiful, comprehensive volume containing Spy's funniest and most creative work, along with the ultimate insiders account of how it all came to be.

All the best of it is here: Separated at Birth?, Naked City, The Fine Print, Log-Rolling in Our Time, the Blurb-o-Mat, those hilarious (and now ubiquitous) charts, the inside stories on the New York Times and Hollywood by J.J. Hunsecker and Celia Brady, the covers, investigative features, and the hilarious stories on pretty much everyone who was anyone during the late '80s and early '90s. Not to mention the often grisly but always entertaining regular cast of characters from Spy's pages -- the churlish dwarf billionaires, beaver-faced moguls, bull-whip-wielding uber-agents, knobby-kneed socialites and, of course, short-fingered vulgarians.

During its heyday, from 1986 through 1993, Spy broke important ground in journalism and design, defining smartness for its generation. It was a once-in-a-lifetime creation that shaped the zeitgeist and succeeded (for a while) against all odds. Spy: The Funny Years will be the fun, stylish, hilarious holiday gift of the year.

Turn of the Century
(Random House, 1999)

As the year 2000 progresses, George Mactier and Lizzie Zimbalist, ten years married, are caught up in the whirl of their centrifugally accelerating lives. George is a TV producer for the upstart network MBC, launching a truly and weirdly ground-breaking new show that blurs the line between fact and fiction. Lizzie is a software entrepreneur dealing with the breakneck pleasures and pains of running her own company in an industry where the rules are rewritten daily. Rocketing between Los Angeles and Seattle, with occasional stopovers at home in Manhattan for tag-team parenting of their three children, George and Lizzie are the kind of businesspeople who, growing up in the sixties and seventies, never dreamed they would end up in business. They're too busy to spend the money that's rolling in, and too smart not to feel ambivalent about their crazed, high-gloss existences, but nothing seems to slow the roller-coaster momentum of their intersecting lives and careers.

However, after Lizzie, recovering from a Microsoft deal gone awry, becomes a confidante and adviser to George's boss, billionaire media mogul Harold Mose, the couple discovers that no amount of sophisticated spin can obscure basic instincts: envy, greed, suspicion, sexual temptation—and, maybe, love. When they and their children are finally drawn into a thrilling, high-tech corporate hoax that sends Wall Street reeling (and makes one person very, very rich), George and Lizzie can only marvel at life's oversized surprises and hold on for dear life.

Like Tom Wolfe's Bonfire of the Vanities, Kurt Andersen's Turn of the Century lays bare the follies of our age with laser-beam precision, creating memorable characters and dissecting the ways we think, speak, and navigate this new era of extreme capitalism and mind-boggling technology. Entertaining, imaginative, knowing, and wise, Turn of the Century is a richly plotted comedy of manners about the way we live now.